Lorna Simpson

I always think its harder to read about an artist, especially a conceptual artist. Conceptual art is an art form that is meant for the viewer to have a personal experience and attraction to. I sometimes feel like the readings do not do the work justice. This is kind of how I felt for Lorna Simpson. I enjoyed reading about her past and her inspirations, but I got more feeling from just simply exploring her works.

I went to her website and viewed all of the pieces posted there. She has worked in a variety of mediums. She has done everything from drawings, photography, and all the way to films. Once I just focused on the images rather than the reading, I felt a stronger connection to the pieces. I remember the readings talking about how her subjects were always turned away from the camera so all that was visible were their backs. However, once you see the actually pieces, there is a story in just that simple design decision. I feel like the fact that the subject’s back is turned from the camera emotes a lack of identity. I think this forces the viewer to really think about who the subject is. Without seeing the identity of the subject, the viewer can perceive it as anyone.

The pieces of hers that I found to be the most interesting were labeled as New Works. These are incredibly different than her works of the past. The biggest difference is that not only are the subjects all facing the camera, they are all smiling and laughing and appear to be enjoying life. I think this speaks to the progress made in racial segregation. I do not think that she believes the problem is solved, but I do think she is saying that no one needs to hide anymore.